jamafanta

As far as musical biopics go, they tend to be more of a miss than a win in many cases, with the plus side that at least you, potential watcher, get to listen to some good music even if the script fails. There are exceptions, i.e. films where both the music is good and the film doesn’t feel like a visualized wikipedia entry, for example, Love & Mercy, which escapes the formula by picking two distinctly different and important eras of Brian Wilson’s life instead of his whole life, with 1960s Brian on the verge of creating his masterpiece and having a mental breakdown played by Paul Dano and 1980s Brian, in the power of a ruthless exploitative doctor but about to freed via encountering his second wife, by John Cusack. The performances are great, the different eras are poignantly commenting on each other, and even were Brian Wilson a fictional character, the film would be worth watching. If Love & Mercy wins for originality with the template, Walk the Line (about Johnny Cash) wins for doing the formula expertly, in fact so well it became endlessly copied and parodied thereafter. James Mangold, who directed Walk the Line to a lot of commercial and critical success back in the day, waited for near two decades before going near another musical biopic again, but he did last year, resulting in A Complete Unknown, starring Timothee Chalamet as Bob Dylan, which courtesy of the Mouse channel I have now watched.

( You who are so good with words and at keeping things vague )

All in all: good, very good, though not great. But it’s the first film in a while where I absolutely want to have the soundtrack.

Real Life (not mine, personally, mine is just very busy) in terms of global politics being a continued horrorshow, I find myself dealing with it in vastly different ways in terms of fandom - either reading/watching/listening to things (almost) entirely unconnected - for example, this YouTube channel by a guy named Elliot Roberts whose reviews of all things Beatles as well as of musical biopics of other folk I can hearitly recommend for their enthusiasm (or scorn, cough, Bohemian Raphsody, cough), wit and charm - , or consuming media that is very much connected to Current Events. For example: about two weeks ago there was a fascinating event here in Munich where an Israeli author, Yishai Sarid, who is currently teaching Hebrew Literature at Munich University was introduced via both readings from several of his novels, many, though not all of which are translated into German, and via conversations. While the excerpts of already published novels (and the conversations around them) certainly were captivating, and led me to reading one of them, Limassol, which is a well written Le Carréan thriller in the Israel of 2009 (when it was published) context), the novel he talked about which I was most curious about hasn't been translated into German yet, though it has been translated into English: The Third Temple.

This was was originally published in 2015 and evidently has been translated into English in 2024, with an afterword by Yishai Saraid in which he basically says "people thought I was kidding or writing sci fi in 2015. I wish. I could see where this is going then, and now you can, too". If I tell you that a reviewer back in the day according to google described the novel as "if the staff of Haaretz and Margaret Atwood had a child", you may guess what it's about. I will say that if the staff of Haaretz and Margaret Atwood had a child, I wouild expect it to be a female rather than a male narrator, but yeah, other than this. ( A spoilery review ensues. )